179–180]) and her terse fury after Othello strikes her (“I have not deserved this” [IV.i. IAGO You are in the right. The female protagonist in the tragic play “Othello”, Desdemona is truly one rare character who astonishes the readers as much with her outer beauty as with her inner grace. It was already daytime when we left each other. Desdemona, of a Venetian origin, is the daughter of Brabantio (a senator) who elopes to marry a Moorish Army General, Othello. Cassio exits. Desdemona can be interpreted as the “good woman” who despite displaying great virtues is murdered by her jealous husband or as a modern woman challenging oppressive societal values. Desdemona comes to see what the matter is; Othello quiets her and leads her home while putting Iago in charge of calming the town. ⌜ Iago ⌝ exits. I am desperate of my fortunes if they check me here . Yet, it is her innocence that despite trying her best she cannot prove her fidelity before Othello. 350 will beseech the virtuous Desdemona to undertake for me. Desdemona is a character that can be read in multiple ways, some of which are more relevant to contemporary society than others. EMILIA Desdemona was shown as a low moral, virtue less female in the essay The Character of Desdemona by John Quincy Adams. I never knew 45 A Florentine more kind and honest. Beauty is in the eye of the beholder, as is virtue. I will ask her to allow me to see the virtuous Desdemona. Good night, lieutenant; I Must to the watch. Iago, I've been bold enough to ask to speak to your wife. Enter Emilia. Desdemona is not foolish but still she is ignorant. Ultimately the virtuous Desdemona refuses to blame Othello for her unhappiness: she declares it is her 'wretched fortune' (IV.2.129). As he slowly sobers up, Cassio bemoans the loss of his reputation, but Iago insists this is only a small setback and encourages him to ask Desdemona … I must to the watch. Good night, lieutenant. The Female Protagonist. Desdemona is virtuous and should not have met the tragic end she did . My suit to her Is that she will to virtuous Desdemona Procure me some access. IAGO You are in the right. IAGO I’ll send her to you presently, 40 And I’ll devise a mean to draw the Moor Out of the way, that your converse and business May be more free. CASSIO. CASSIO 355 Good night, honest Iago. Arguments that see Desdemona as stereotypically weak and submissive ignore the conviction and authority of her first speech (“My noble father, / I do perceive here a divided duty” [I.iii. CASSIO I humbly thank you for ’t. 236]). Rest of the credit goes to Iago who brilliantly orchestrates the entire drama using every character skillfully. IAGO And what’s he, then, that says I play the villain, When this advice is free I give and honest, “Burn like the mines of sulphur”: Virtuous Desdemona vs. Iago, the Vice, in a secret sun vs. coal morality play in Othello No. Beseech the virtuous Desdemona to undertake for me: I am desperate of my fortunes if they cheque me here. Desdemona is from a noble or ‘patrician’ family in Venice and therefore would have the least amount of freedom; her behaviour would have been watched carefully and she would not have been allowed to go out in public without her gentlewoman. Is that she will to virtuous Desdemona Procure me some access. Such is the case of the virtue of the character Desdemona, from the play The Tragedy of Othello, by William Shakespeare. She has learned that 'men are not gods' (III.4.149) and this is a disappointment to her. Desdemona is a more plausible, well-rounded figure than much criticism has given her credit for. 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